Residing within an un-photographic space, objects act as anchors for an unsettled landscape. Perspective is suggested through leading lines which create the platform stage for the painting. A stage in which the object is tied to, never being allowed to leave the picture plane. Shadows set the object within the space and barely save it from becoming symbolic. Posturing away from flatness and towards the implication that the viewer is either looking up or down. There is a suggested intent looking where value is placed upon these often empty vessels. An ever quiet importance, even when these spaces enact themselves.